Mermaid of the Moment by Anna Chouinard

This mermaid doll was created by my friend Anna Chouinard, a talented artist who creates dolls, intricate bead-work jewelry, and sculpture.

The shelf siren was fashioned from fabric, wire and paint and was sold at Nightingale Arts. To see more of Anna's work visit Nightingale Arts of Salem at 124 Boston Street in Salem, MA or online.

Mermaid of the Moment by Abigail Halpin

This lovely mermaid scene is by illustrator Abigail Halpin. Abigail has illustrated many children's books, including Bella's Rules from Dial Books for Young Readers and Mia's Boiling Point: #10 Cupcake Diaries from Simon Spotlight.

I met Abigail at the NESCBWI conference in May. We bonded over our shared affection for cat-eye glasses and of course, mermaids.

To see more of Abigail's work, visit her site, Theo Design or her blog.

Mermaid of the Moment: Neverland's Sea Sirens

Still from Peter Pan, 1924, directed by Herbert Brenon.

 “Peter was not with them for the moment, and they felt rather lonely up there by themselves. He could go so much faster than they that he would suddenly shoot out of sight, to have some adventure in which they had no share.

He would come down laughing over something fearfully funny he had been saying to a star, but he had already forgotten what it was, or he would come up with mermaid scales still sticking to him, and yet not be able to to say for certain what had been happening.

It was really rather irritating to children who had never seen a mermaid.”

― J.M. Barrie, Peter Pan

My First SCBWI Conference

A couple of weekends ago I took a big plunge into the children's literature world. I went to my first New England SCBWI conference in Springfield, MA.

If you're not aware, the Society of Children's Book Writers and Illustrators or SCBWI is the largest networking organization of children's writers, illustrators and publishing professionals in the world. They offer critique groups to members, conferences, a member's magazine and newsletter, and many other perks that I'm still learning about.

I truly had a wonderful experience. I met many positive and friendly people who were also excited to talk about their work and love for children's writing.

I did feel a little overwhelmed on the first day of the conference on Friday. I knew that as soon as I said goodbye to my husband George in the hotel lobby that I would have to put my introverted self on a shelf for the weekend, and embrace the reality of meeting dozens of new people, in a new place, and learn lots of new things. Which I gratefully did.

I went to several workshops which were helpful and informative on many levels, and I had a picture book manuscript critique with an editor from local publisher, Islandport Press. The critique was helpful, and I'll be looking back to the notes I received closely in coming revisions.

I even worked up the nerve to introduce myself to an agent. She didn't seem bowled over by my somewhat nervous picture book pitch, but she kindly wished me luck with it. I do feel proud of myself for taking that first awkward step.

I knew before coming to the conference that one of the major goals of the event is to create a place where networking relationships can happen, and to demystify the work of editors and agents so that authors and industry professionals can communicate more freely. They are, of course, people with goals and deadlines to meet too.

Looking back on the conference experience, and my experience with my SCBWI critique group so far, I really only have good things to say. I'm thankful for the help, support and keen advice of fellow authors on the road of writing children's literature. 

The Little Mermaid by Hans Christian Andersen

In The Classic Treasury of Hans Christian Andersen from Courage Books, Copyright 2002, there is a version of The Little Mermaid. All the stories in this collection have been retold by Margaret Clark.
 

The classic tales are accompanied by the artwork of Christian Birmingham, rendered in chalk pastel and pencil.

The illustrations are so delicate, soft and dreamy it seems as though the littlest mermaid will float right off the page. The views from under water help you see the world from her perspective.You begin to feel her longing, seeing a new and strange world, but being unable to touch it.

Margaret Clark's retelling gracefully recreates the story. I especially like how she sets the reader up to anticipate the little mermaid's first glimpse of the world above. She leads us through her five older sister's encounters with the human realm, but each of them conclude that while the human world was intriguing, their home is under the water. But this is not the case for the youngest princess. She sees a beautiful boy celebrating his 16th birthday aboard a glowing ship, festooned with fireworks, and is immediately captivated.

When a storm suddenly overtakes the ship, she decides to save him, and in this way she sets her heart on someone she cannot have.  Although her unrequited desire becomes her downfall, the littlest mermaid learns to love selflessly and she's given a second chance and a soul.

The Classic Treasury of Hans Christian Andersen from Courage Books is readily available from many booksellers for about $10.

Barnes & Noble

Amazon

There is another stand alone version of The Little Mermaid illustrated by Christian Birmingham, and translated by Naomi Lewis, from Walker Books, copyright 2009.

This version is a bit more difficult to find in hardcover. Well, you can find it, but the price goes up. A lot.

The most affordable hardcover version I could find in North America was $128 on Amazon. The paperback is more accessible for about $30 from Amazon, if you have to have it in your picture book collection and you're on a budget.

We do have The Classic Treasury in our picture book collection already, but I think I would like to purchase the stand-alone from Walker Books as well. However, it will probably be the paperback version for this household.

The Top 5 Mermaid Gifts to Give for Valentine's Day

Gentlemen, I'm sure you're looking for that special something to give your lady on Valentine's Day. Why not give her a mermaid themed gift that she can actually use? Here are my top 5 picks.

1. Reasons to Be a Mermaid T-Shirt ( It's fun and not a budget-buster at $29.99.)

2. Jewelry for a Mermaid (I thought that if a mermaid were going to pick some jewelry she'd go for something made of lapis, pearl, or coral, like these. These sets from Thailand run about $50 to $70.)

 

3. Dolphin Encounter (You do need to go to where the dolphins are, say Florida or the Bahamas... $100 to $250 depending on the program)

4. Shell Bra (These range in price, from $45 to $150, depending on make and quality, and whether you can wear them in the water. This one, from The Mertailor is a bit pricier, but gorgeous.)

5. Mermaid Tail - The ultimate Mermaid gift ( These vary in price as well. Custom made tails range from about $600 to $2700. Again, these are from The Mertailor in Florida.)

Howard Pyle's Mermaid

 

The Mermaid by Howard Pyle is probably one of the famous illustrator’s most mysterious works, as the painting remained unfinished when he left the United States in November 1910 to travel in Europe. Pyle never returned to the U.S. He passed away just a year later on November 9, 1911 in Florence, Italy.

I had the opportunity to see this painting in person at the Norman Rockwell Museum in Stockbridge, Massachusetts. They were featuring a collection of Pyle’s work titled Howard Pyle: American Master Rediscovered.

The painting is quite large at 57 7/8 x 40 1/8 inches, painted in oil. Looking at it you feel as though you’re looking through a window, rather than a flat piece of canvas. The moonlight he’s used to light the painting casts a bluish hue on the skin of the sailor and mermaid. I especially love the bits of coral, seaweed, and pearls in the mermaid’s hair. She seems to be wearing a gold necklace and bracelet as well.

The painting was finished by Pyle’s student Frank Schoonover, who added fish and a crab to the scene. It’s hard not to wonder how Pyle would have finished the painting had he returned from Europe, but all the same it is a remarkable work. 

The mystery of this piece lies in the relationship between the mermaid and the sailor. What sort of embrace are they sharing? Is this an affectionate goodbye after she saved him from the wreck? Or, is he barely conscious, possibly drowned, his body heavy and limp, as she’s trying to place him on the rock with the upswell of the wave behind her?

I also wonder if there was any connection between this painting and Pyle’s personal life. Did he know that his health was deteriorating, as he died a short year later, and this painting reveals his feelings for his wife Anne, with whom he shared his life and bore seven children?

The painting was donated to the Delaware Art Museum by Pyle’s children in memory of their mother Anne Poole. I’m a romantic and like to think that he painted it for her, knowing his time was short.

This is the only photo I could find of Anne Poole Pyle, showing her with four of their children by the shore at Rehoboth Beach, Delaware. The photo was taken by Pyle in 1890.

To see more of Howard Pyle's pictures from Rehoboth Beach in 1910, take a look at Howard Pyle's Seaside Holiday Photos, 1910.